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# Studio Acting Conservatory: Studio Acting Conservatory is the premier training institution for actors and directors in Washington, DC.

## Sitemaps
[XML Sitemap](https://studioactingconservatory.org/sitemap_index.xml): Includes all crawlable and indexable pages.

## News
- [Spring Final Scenes](https://studioactingconservatory.org/spring-final-scenes-2/): Spring semester final scenes begin soon! Students are prepping for their scene presentations, which will take place evenings between May 24th - June 2. Unless otherwise listed, guests for scenes should arrive by 7:45pm and understand that late arrivals will not be allowed.
- [Last Supper Sculpture – Holy Week Viewing](https://studioactingconservatory.org/last-supper-sculpture-holy-week-viewing/): Join us for public viewings of the Last Supper Sculpture, uncovered in 2019 during our renovation. Created by artist and Howard University professor Akili Ron Anderson, the sculpture features Jesus and his disciples as African Americans. We invite you to view this magnificent piece of artwork during Holy Week. 
- [SAC: Booked & Busy – Ben Bogen](https://studioactingconservatory.org/sac-booked-busy-ben-bogen/): A highlight on recent Directing Alum Ben Bogen, discussing life after The Conservatory and his current role as Fyedka in Signature Theatre's Fiddler On The Roof.
- [Welcome Kate Ferrell!](https://studioactingconservatory.org/welcome-kate-ferrell/): Studio Acting Conservatory is excited to welcome Kate Ferrell, our new Marketing & Development Manager, to our talented staff!
- [Fall Final Scenes](https://studioactingconservatory.org/fall-final-scenes-2/): Fall semester final scenes are coming up soon! Students are hard at work on their scene presentations, which will take place evenings between January 12-24th. Unless otherwise listed, guests for scenes should arrive by 7:45pm and understand that late arrivals will not be allowed. These scene presentations are open to the public as space allows, but priority is always given to personally invited guests of class members.
- [We’re Hiring!](https://studioactingconservatory.org/were-hiring/): Marketing and Development Manager
- [New Workshops!](https://studioactingconservatory.org/new-workshops/): We're happy to announce our Fall 2025 and Spring 2026 workshops, several of which are new!
- [Congratulations!](https://studioactingconservatory.org/congratulations/): Congratulations to everyone who just completed their spring semester final scenes, but especially to our most recent graduates! This group finished their Comedy final scenes this week, and with that, our core curriculum. Great work all around!
- [SAC 50th Anniversary](https://studioactingconservatory.org/sac-50th-anniversary/): We're celebrating 50 years of training actors to their fullest potential! Our 50th Anniversary celebration will be on Saturday, May 17th, 2025.
- [Spring Final Scenes](https://studioactingconservatory.org/spring-final-scenes/): It's almost time for Spring Final Scenes! Students are hard at work on their scene presentations, which will take place evenings between May 23rd - June 3rd. Unless otherwise listed, guests for scenes should arrive by 7:45pm and understand that late arrivals will not be allowed. Final Scenes are open to the public unless otherwise listed, but keep in mind that priority for seating is always given to the invited guests of the students performing.
- [Fall Final Scenes](https://studioactingconservatory.org/fall-final-scenes/): Fall semester final scenes are coming up soon! Students are hard at work on their scene presentations, which will take place evenings between January 13-28th. Unless otherwise listed, guests for scenes should arrive by 7:45pm and understand that late arrivals will not be allowed.
- [New Workshop: On-Camera Technique](https://studioactingconservatory.org/new-workshop-on-camera-technique/): We're happy to announce a new workshop this spring: On-Camera Technique, taught by filmmaker and faculty member Nancy Bannon! Join us to learn the basics of being on-camera, including focal point, playing area, and using your acting technique to connect to the camera. Nancy will also cover creating self-tapes for theatre and film, and on camera auditions with scenes and monologues. Actors will practice with the camera and see themselves on screen. Part of Day 2 will be a discussion of working on set, and how to work with a director to bring your best possible work to the project.
- [SAC Open House 2024](https://studioactingconservatory.org/sac-open-house-2024/): Interested in learning more about Studio Acting Conservatory's program and classes? Join us for an Open House info session on Saturday, January 6th, 2024 at either 1 or 2:30pm! Prospective students will have the opportunity to hear from teachers, students, and alumi, as well as ask questions. RSVPs are appreciated, but not required. Sign up online!
- [New Class: Stage Combat](https://studioactingconservatory.org/new-class-stage-combat/): After much interest from students and past workshop attendees, we're happy to be able to offer a full class in Stage Combat, taught by SAFD Fight Master Robb Hunter! The class will culminate in an SAFD-adjudicated presentation of work, allowing students the opportunity to earn certification in the Unarmed discipline.
- [Fall Semester Final Scenes](https://studioactingconservatory.org/fall-semester-final-scenes/): Our Fall semester acting classes are busy preparing for final scenes, which will take place evenings between January 13-25, 2024:
- [Shakespeare Everywhere Festival](https://studioactingconservatory.org/shakespeare-everywhere-festival/): Studio Acting Conservatory will be participating in the upcoming Shakespeare Everywhere Festival this fall! Members of the Conservatory faculty will take part in two panels as part of the city-wide festival, both of which are free and open to the public:
- [Join our Staff!](https://studioactingconservatory.org/join-our-staff/): We're hiring! Studio Acting Conservatory is looking for a General Manager to join our staff. Take a look at the job description for more information about the position and application instructions.
- [Public Viewings of The Last Supper Sculpture](https://studioactingconservatory.org/public-viewings-of-the-last-supper-sculpture/): The Conservatory was pleased to offer public viewings of The Last Supper sculpture, by Akili Ron Anderson, for Holy Week in April and again for Juneteenth. Articles about the artwork and viewings were featured in The Washington Post and Washingtonian, among other publications.
- [Studio Acting Conservatory Accepted to Spur Local](https://studioactingconservatory.org/studio-acting-conservatory-accepted-to-spur-local/): Spur Local, formerly the Catalogue for Philanthropy, announced the 134 nonprofits in their 2023 Class, the 21st class of nonprofit partners in the organization’s history and the 1st class since being rebranded as Spur Local! From enriching the arts scene to, protecting our local environment, to supporting families, these 134 organizations are highly trusted as critical nonprofits in the Greater Washington region, and we are honored to be recognized among them.
- [Contemporary Black Playwrights Workshop with Otis Ramsey Zöe – August 12, 2023](https://studioactingconservatory.org/contemporary-black-playwrights-workshop-with-otis-ramsey-zoe-august-12-2023/): Join dramaturg and director Otis Ramsey Zöe for a workshop exploring the dramatic lineage of Black playwrights by focusing in on the shoulders upon which these dramatists stand. Participants will discuss such writers as Ed Bullins, Alice Childress, Owen Dodson, Zora Neale Hurston, Adrienne Kennedy, and their influence on contemporary American playwrights like Branden Jacobs-Jenkins, Terrell Alvin McCraney, Christina Anderson, Robert O’Hara, and Suzan-Lori Parks.
- [Fall 2023 Classes Begin September 5](https://studioactingconservatory.org/fall-2023-classes-begin-september-5/): It's back-to-school time, and we are excited about our fall classes! Join us for the fall semester, September 5th-January 25th.

## Pages
- [Spring 2027](https://studioactingconservatory.org/spring-2027/)
- [Find the Right Class and Enroll Today](https://studioactingconservatory.org/studio-acting-conservatory-inquiry/): Studio Acting Conservatory has trained over 13,000 actors and directors in Washington, DC since 1975. Whether you're drawn to our three-year Conservatory curriculum, a weekend Acting Workshop, or our Young Actors Program, there's a place for you here. No audition required. Financial aid is available for those who qualify. Fill out the form below and we'll be in touch to get you placed in the right program.
- [Space Rentals](https://studioactingconservatory.org/space-rentals/): Renting Space at SAC
- [Health & Covid Safety](https://studioactingconservatory.org/health-covid-safety/): We request that staff, faculty, and students remain at home or go home if they are feeling unwell or are showing symptoms of any respiratory illness, including COVID-19, RSV, influenza, and others.
- [Harassment & Discrimination](https://studioactingconservatory.org/harassment-discrimination/): Studio Acting Conservatory is committed to providing a space free of harassment.  To that end, the Conservatory complies with all DC and federal anti-harassment laws and expressly prohibits any form of harassment, including but not limited to harassment based on race, color, religion, sex (including pregnancy), sexual orientation, gender identity or expression, national origin, age, genetic information, disability, political affiliation, veteran status, marital status, family responsibilities, personal appearance, matriculation, or any other characteristic protected by law.
- [Drug, Weapon, & Fragrance Policies](https://studioactingconservatory.org/drug-weapon-fragrance-policies/): Studio Acting Conservatory is a drug-free zone. The use or presence of drugs on the premises will not be tolerated and will be subject to disciplinary action.
- [Registration, Refund, & Discharge Policies](https://studioactingconservatory.org/registration-refund-discharge-policies/): Studio Acting Conservatory requires tuition to be paid in one of the following methods: 
- [Adult Program Expectations](https://studioactingconservatory.org/adult-program-expectations/): Policies & Procedures Adult Program Adult Program Expectations Each student is responsible for maintaining an environment of positive learning by observing and following a standard of behavior that is respectful to their instructor and to their fellow students Students receive a contact sheet during their second meeting of class. Students should inform their instructor of any contact information they do not wish to be shared with the class. Additionally, students should exercise care and respect in the use of this information. Due to the sequential and cumulative nature of the classes, regular attendance and punctuality are essential. Students are expected to prepare for class (this includes rehearsal outside of the classroom) and also participate during class. It is the student’s responsibility to alert their teacher(s) of any physical limitation that they may have as well as any medications they are taking that may have an effect on their work.  Students enrolled in acting classes must be able to participate in and attend Final Scenes at the end of the semester Harassment in any form, whether based on sex, gender, sexual orientation, race, religion, national origin, age, or physical disability will not be tolerated. *See Anti-Harassment Policy Any student who violates the program expectations of Studio Acting Conservatory will be discharged at the discretion of management. Students who engage in gross misconduct will be immediately and permanently discharged. The Conservatory reserves the right to deny registration of future classes and/or workshops if a student does not perform adequately based on the teacher’s evaluation.
- [SMS Terms and Conditions](https://studioactingconservatory.org/sms-terms-and-conditions/): SMS Terms and Conditions
- [Thank You](https://studioactingconservatory.org/thank-you/): Your Information has been received.We will get back to you as soon as possible.
- [Page Title](https://studioactingconservatory.org/page-title/): Breadcrumb Breadcrumb 3 photo
- [Financial Aid](https://studioactingconservatory.org/programs/financial-aid/): The arts are essential to the enrichment of our lives, and access to quality education should be accessible to everyone. The Conservatory believes that financial restraints should not be a deterrent for individuals who seek acting training. This is why we offer a variety of financial aid options for our students to pursue their artistic goals and fulfill their potential.
- [Voice & Body](https://studioactingconservatory.org/programs/conservatory-program/voice-body/): An actor's use of their voice and body is essential to their work. Voice & Body classes introduce and build skills to support the core exercises by expanding the range and subtlety, and commitment of the actor. Voice & Body classes can be taken at any time, alone or paired with an acting class.
- [Styles & Advanced](https://studioactingconservatory.org/programs/conservatory-program/styles-advanced/): This section of the curriculum tackles different styles, beginning with Comedy. Advanced scene study classes focus on groups of playwrights that define a style. The renowned Directing class augments the entire curriculum, introducing concepts that enhance an actor's abilities.
- [Classics](https://studioactingconservatory.org/programs/conservatory-program/classics/): These levels explore the classics, particularly Shakespeare and Greek Tragedy. This curriculum introduces the concept of style, and adds boldness and heightened language in addition to the fundamentals of Realism. For actors to get the most of this curriculum, they will need to add to their voice and body skills, and should also take Classical Voice & Movement.
- [Realism](https://studioactingconservatory.org/programs/conservatory-program/realism/): Realism is the necessary foundation for all actors. In Actor's Process, Principles of Realism, and Character and Emotion, students develop the fundamental skills of realistic playing, characterization, and emotional connection. For actors to reach their full potential, they must develop their voice and body, so along with these classes, students should take Movement 1 and Voice 1.
- [Donate](https://studioactingconservatory.org/donate/): Why Give?
- [Policies & Procedures](https://studioactingconservatory.org/programs/policies-procedures/): Privacy Policy
- [Young Actors Program](https://studioactingconservatory.org/programs/young-actors-program/): Modeled after the adult curriculum, the Young Actors Program nurtures creativity, develops vocal and physical skills, and enhances each young actor's ability to perform and work together as part of an ensemble. This program is for students ages 12 to 17 and previous experience is not a requirement. 
- [Acting Workshops](https://studioactingconservatory.org/programs/acting-workshops/): Workshops are a fantastic way to explore new skills over the course of a few days. Studio Acting Conservatory is offering an impressive slate of workshops designed to diversify your technique and deepen your industry knowledge. Don't miss these opportunities to strengthen your artistry!
- [Conservatory Classes](https://studioactingconservatory.org/programs/conservatory-program/): For 50 years, Studio Acting Conservatory has been more than just a school—it has been a gathering place, a proving ground, and a creative home for thousands of DC artists. More than 13,000 actors and directors have trained here since 1975, each shaped by a curriculum rooted in rigor, innovation, and community. We are extremely proud of our alumni, many of whom have gone on to important careers in theatre, film, and television.
- [Last Supper Sculpture](https://studioactingconservatory.org/about/last-supper-sculpture/): During the demolition of our building — a repurposed neighborhood church — we found a masterpiece: The Last Supper by Akili Ron Anderson This enormous frieze of the Last Supper had been hidden behind drywall for more than a decade. Created by artist Akili Ron Anderson in the early 1980s, Jesus and his disciples are depicted as African American men, an example of the artist’s mission of placing Black people in the center of an ongoing cultural conversation.
- [Contributors](https://studioactingconservatory.org/about/contributors/): The Studio Acting Conservatory wishes to thank our individual donors, foundations, government agencies, our Board of Directors, and many of our 13,000 faculty, alumni and current students whose generosity is deeply appreciated.
- [Faculty & Staff](https://studioactingconservatory.org/about/faculty-staff/): Executive Director
- [Mission & History](https://studioactingconservatory.org/about/mission-history/): Studio Acting Conservatory fosters a diverse community of actors and directors, unlocking the creative potential of each student through quality, rigorous, and time-honored training.
- [Contact](https://studioactingconservatory.org/contact/): Studio Acting Conservatory at Logan Place is located in the Columbia Heights neighborhood of Washington, DC.
- [Schedule](https://studioactingconservatory.org/schedule/)
- [Programs](https://studioactingconservatory.org/programs/)
- [About](https://studioactingconservatory.org/about/)
- [News & Events](https://studioactingconservatory.org/news/)
- [Privacy Policy](https://studioactingconservatory.org/privacy-policy/): This Privacy Policy governs the manner in which Studio Acting Conservatory (“SAC” or “We”) collects, uses, maintains, and discloses information collected from and/or about individuals with whom we interact (“You” or “Users”), including 1) users of the SAC website; 2) people who email with us; 3) people with whom we speak by phone; 4) people who communicate with us via print materials; 5) people who engage with us in person; and 6) people who engage with us through third party applications.
- [Home](https://studioactingconservatory.org/): RIGOROUS TRAINING. NO COMPROMISES.

## People
- [Anthony Coley](https://studioactingconservatory.org/people/anthony-coley/)
- [Kate Ferrell](https://studioactingconservatory.org/people/kate-ferrell/): Kate Ferrell (she/her) is a dedicated arts professional coming to SAC from The Kennedy Center for the Performing Arts. She is currently pursuing her master's degree in Arts Management at American University, where she is developing expertise in every aspect of arts management, from financial literacy to fundraising to nonprofit law. Kate has a strong passion for performing arts marketing and is determined to increase the accessibility of the arts through the use of digital spaces. Kate strives to bridge creativity and strategy to further her commitment to supporting the sustainability of the performing arts sector. In her personal time you will find Kate curled up with a book, at a theatre seeing whatever show she can find, or playing fetch with her golden retriever, Jupiter.
- [Alex Mills](https://studioactingconservatory.org/people/alex-mills/)
- [Ed Gero](https://studioactingconservatory.org/people/ed-gero/)
- [Elizabeth van den Berg](https://studioactingconservatory.org/people/elizabeth-van-den-berg/): Elizabeth van den Berg has served as vocal and dialect coach for over 50 productions in the DC area, including with Joy Zinoman: American Buffalo, Shining City, A Number, and Beauty Queen of Leenane. Elizabeth is emerita Professor of Theatre Arts at McDaniel College. She was named one of four top teaching artists nationally by KCACTF in 2005, and was awarded a Kennedy Center Gold Medallion in 2006, and again in 2015. She is a proud member of Actor’s Equity Association, Screen Actor’s Guild, the American Federation of Television and Radio Artists, and a graduate of NYU’s Tisch School of the Arts Grad Acting Program.
- [Shawn Helm](https://studioactingconservatory.org/people/shawn-helm/)
- [Deb Booth](https://studioactingconservatory.org/people/deb-booth/)
- [Jonathan Pitt](https://studioactingconservatory.org/people/jonathan-pitt/)
- [Anika Harden](https://studioactingconservatory.org/people/anika-harden/)
- [Andrea Hatfield](https://studioactingconservatory.org/people/andrea-hatfield/)
- [Solomon HaileSelassie](https://studioactingconservatory.org/people/solomon-haileselassie/)
- [Keith Hansen](https://studioactingconservatory.org/people/keith-hansen/)
- [Jill Fields](https://studioactingconservatory.org/people/jill-fields/)
- [Jamie Crowne](https://studioactingconservatory.org/people/jamie-crowne/)
- [Joe Crea](https://studioactingconservatory.org/people/joe-crea/)
- [Vincent Brown](https://studioactingconservatory.org/people/vincent-brown/)
- [Victoria Murray Baatin](https://studioactingconservatory.org/people/victoria-murray-baatin/)
- [Meredith Garagiola](https://studioactingconservatory.org/people/meredith-garagiola/)
- [A.J. Calbert](https://studioactingconservatory.org/people/a-j-calbert/)
- [Anderson Wells](https://studioactingconservatory.org/people/anderson-wells/): Anderson Wells is an actor, singer, and member of the acting faculty at the Conservatory. Along with Studio, he has worked with theatre education programs at Arts on the Horizon and Centerstage. He has performed as a singer with DC’s award-winning groups Vox Pop and The Lobby. Acting credits include Rep Stage, The Welders, Brave Spirits Theatre, The Hub Theatre, and Encore Stage & Studio. Training: BFA, Acting, University of Maryland, Baltimore County; Studio Acting Conservatory.
- [Matthew Vaky](https://studioactingconservatory.org/people/matthew-vaky/): Matthew Vaky was a member of The Guthrie Acting Company in Minneapolis and worked as an actor, director, and writer for Mixed Blood Theatre, SteppingStone Theatre, The Illusion Theatre, and The Playwrights Center. Locally, he has performed for Center Stage, Spooky Action Theatre, GALA Hispanic Theatre, and Quotidian. His one man show ROGER (Not His Real Name) was produced in New York at the United Solo Festival. Matthew teaches at Capital City Charter School. Training: Carnegie-Mellon University, University of St. Catherine.
- [Tom Story](https://studioactingconservatory.org/people/tom-story/): Tom Story is an actor and director based in Washington DC.  He has appeared as an actor in over 75 productions in DC, New York City, and in many cities throughout the country. He is an Affiliated Artist at The Shakespeare Theatre Company where he has starred in works by Shakespeare, Noel Coward, Stephen Sondheim (A Funny Thing Happened On The Way to the Forum directed by Alan Paul), David Ives “School For Lies” and many others.  He is a Cabinet Member at The Studio Theatre where he has been featured in many contemporary works. Favorites include AE Houseman in “The Invention of Love” and Lewis in “The Wolfe Twins” by Rachel Bonds and directed by Mike Donahue.  He recently directed “At The Wedding” to critical acclaim at Studio where he made his directorial debut with “MOTH”. He also directed “Terminus” by Mark O’Rowe at Studio.  At The Berkshire Theatre Group he has acted in sixteen productions, including Peter in “The Heidi Chronicles” and Ishmael in “Moby Dick: Rehearsed” At BTG he directed the critically acclaimed Design For Living.   He made his Barrington Stage Company debut last summer in Cabaret.  He has directed at American University, Solas Nua, Imagination Stage and he helmed the box office hit The Legend of Georgia McBride  at Roundhouse Theatre.  Tom is a graduate of Duke University and The Juilliard School.  He has received nine Helen Hayes nominations  and a Fox Foundation Fellowship.  He studied acting with Michael Kahn and directing with Joy Zinoman.
- [Colette Yglesias Silver](https://studioactingconservatory.org/people/colette-yglesias-silver/): Colette Yglesias Silver has taught dance at The Dance Exchange, the University of Maryland, George Washington University, and The Street 70 Theatre Apprentice training program and has been on the faculty of Studio Acting Conservatory since 1981. She was the artistic director of Dance Arts/Moving Arts from 1980-87. Training: The Academy of the Washington Ballet, The Juilliard School.
- [Serge Seiden](https://studioactingconservatory.org/people/serge-seiden/): Serge Seiden has been a Conservatory faculty member for 23 years and is currently the Managing Director & Producer of Mosaic Theater Company of DC. During his 25 years at Studio Theatre he was the Producing Director and Casting Director and directed more than 30 productions including Bad Jews, the highest grossing show in Studio history.  Serge most recently directed Eureka Day with Conservatory alums Regina Aquino and Sam Lunay for Mosaic’s 5th Season and has directed at Synetic, MetroStage, Olney, Adventure, and Theater J. Awards: Helen Hayes Award/Outstanding Director, Resident Musical. Training: Swarthmore College, Studio Acting Conservatory.
- [Deborah Riley](https://studioactingconservatory.org/people/deborah-riley/): Deborah Riley is a life-long dance artist and more recent practitioner of Laban Movement Analysis, the basis for teaching movement arts to people of all ages and abilities. As a touring artist and educator, she has performed throughout Europe and the US as well as choreographing over 40 original works for her company, Deborah Riley Dance Projects. She was an artist-in- residence at DC’s Dance Place from 1988 – 2017 and retried as Co-Director of this legendary institution in 2017. In 2016 she was honored with the Pola Nirenska Award for Lifetime Achievement in Dance.
- [Otis Cortez Ramsey-Zoë](https://studioactingconservatory.org/people/otis-cortez-ramsey-zoe/): Otis Cortez Ramsey-Zöe is a care worker, dramaturg, director, theatre arts educator, and Literary Manager at Arena Stage. He has developed new works at such institutions as Sundance Institute, Kennedy Center, Alabama Shakespeare Festival, Playwrights Center, and National New Play Network. He has led modules in dramaturgy and antiracist theatre practices at Yale School of Drama and held posts in Theatre at Northeastern University, Dramaturgy at Carnegie Mellon University, Women’s Studies and Honors Humanities at University of Maryland, Performing Arts at American University, and Theatre Arts at Howard University. He was Associate Artistic Director at banished? productions, Future Classics Program Coordinator at The Classical Theatre of Harlem, and Literary Manager at Center Stage.
- [Madeleine Burke Pitt](https://studioactingconservatory.org/people/madeleine-burke-pitt/): Madeleine Burke Pitt has performed at Studio Theatre and Studio 2ndStage as well as at many other DC theatres, including The Folger Shakespeare Theatre, The Keegan Theatre, and Solas Nua (Helen Hayes nomination). Madeleine taught and directed youth theatre for over 10 years and has also taught workshops at American University and the University of Maryland. Training: Catholic University (MFA program), Studio Acting Conservatory.
- [Michelle Norris](https://studioactingconservatory.org/people/michelle-norris/): Michelle Norris is a professional actor, arts administrator, and instructor for various styles of dance and movement. Theatre projects have included performances in DC and Frederick in addition to commercial, television, and industrial roles. Michelle also works as a seamstress or costume designer for local projects. Most recently, Michelle worked as a teacher and administrator at a dance conservatory, but in the past has worked in publishing, business management, and executive search. Currently, Michelle is a student of Studio Acting Conservatory, but also has past acting training at American University, in addition to training across various institutions in multiple methods and styles of dance and movement.
- [Peg Nichols](https://studioactingconservatory.org/people/peg-nichols/): Peg Nichols is a DC- based writer, editor, actor and director. She has appeared in productions at The Shakespeare Theatre Company, Kennedy Center, Source Festival, Annapolis Shakespeare Company, 4615 Theatre Company, Strand Theater, and others. Film credits include a variety of television programs, industrials, and broadcast news appearances as an advocate for individuals with developmental disabilities. Training: Central Michigan University, Studio Acting Conservatory.
- [Mark McKinnon](https://studioactingconservatory.org/people/mark-mckinnon/): Mark McKinnon is an actor and Founder of McKinnon Acting Studio. As an actor, his credits include Blue Bloods on CBS, Mayor of Kingstown on Paramount+, Survival of the Thickest on Netflix, and The Waiting Room on BET. As an acting coach, Mark established McKinnon Acting Studio; an on-camera acting studio in Prince George’s County, MD. Since 2012, his studio has coached and consulted thousands of actors, helping his students book roles on almost every major network, cable, and streaming channel.
- [Sandra Kammann](https://studioactingconservatory.org/people/sandra-kammann/): Sandra Kammann is a director, choreographer, performing artist, playwright, and anthropologist. Her works include: Crack Between the Worlds: The Goddess Returns, a Helen Hayes nominated adaptation of Aeschylus’ The Eumenides; Duir-wyyd: The Dreamer’s Doorway, Women’s Voices Theatre Festival; and The Forest Beckons, archetypal performances developed in ancient forests. She is the Founding Director of Fertile Ground, a non-profit exploring the impact of performance on consciousness. Sandra holds an M.F.A. in Performance and an M.A. in Cultural Anthropology: Performance of Myth and Ritual (Honors) from The George Washington University.
- [Robb Hunter](https://studioactingconservatory.org/people/robb-hunter/): Robb Hunter is a Certified Fight Director and Teacher with the Society of American Fight Directors and an SDC Director/Choreographer. He has choreographed movement/violence for The Shakespeare Theatre, Arena Stage, Woolly Mammoth, Signature, Washington National Opera, Olney Theatre Center, Fords Theatre, and of course, more than 20 productions at The Studio Theatre. Robb is Choreographer in Residence at American University and on faculty at The Shakespeare Theatre’s Academy for Classical Acting and at Catholic University. He holds an MFA in Theatre Pedagogy from Virginia Commonwealth University.
- [Jeff Hamlin](https://studioactingconservatory.org/people/jeff-hamlin/): Jeff Hamlin is an accomplished musician and music director. Since earning his Bachelor of Music degree, he has worked as a producer, writer, arranger, and musician, primarily in Nashville and the DC metro area. As a past member of the Gay Men’s Chorus of Washington (GMCW), Jeff performed as a soloist in several cabaret shows, including Love Songs and Other Fairy Tales, Stops Along the Way, and Let Me Be the Music: the Songs of David Friedman. More recently, he has served as the music director and pianist for performances by the D.C. Cabaret Network, Maggie’s Cabaret, and local artists. Training: Southwest Baptist University, Georgetown University Law Center, and Studio Acting Conservatory.
- [Julie Garner](https://studioactingconservatory.org/people/julie-garner/): Julie Garner has been a professional actor, improvisor and educator for nearly two decades. A two-time HHA nominee, some local theatre credits include: Studio Theatre, The Welders, Constellation, Faction of Fools, Forum, and Rorschach Theatre. In addition to many film, voice over, and commercial credits, Julie performs regularly with improv comedy groups such as Last Ham Standingand Comedy Sportzat the DC Improv. She is currently the Theatre Specialist at the Smithsonian NMAH, where she develops and performs three critically acclaimed interactive theatre programs.
- [Darnell Eaton](https://studioactingconservatory.org/people/darnell-eaton/): Darnell Eaton is a legendary Improv Actor in Washington, DC with 15 years of experience in improvisation. He can be seen performing regularly at the Washington Improv Theater Ensembles The Broken Bones and Lena Dunham Improv: Your Black Friends. Former member of the highly acclaimed Washington Improv Theater’s iMusical The Improvised Musical, he has performed in a number of improv venues in New York City, Chicago, Philadelphia and all throughout the Washington, DC area. Darnell has previously performed in the DC Capital Fringe Festival and was featured in Cristina Garcia’s Lesbians and the Men Who Love Them, Nu Sass Productions  22 Boom and Benjamin Lockshin’s Caveat. He has also performed in Pinky Swear Production’s Use All Available Doors, TBD Immersive’s In Cabaret We Trust, Brave Soul Collection’s WTF Happened to Baby Sister Jane, Momentum Inc.’s Not My Baby, DC 1 Minute Play Festival, and Atlas Intersection Festival and has participated in other local theater projects in the DC area. Darnell spends his time offstage teaching improv to adults and children through Washington Improv Theater and is an alum of the Studio Acting Conservatory.
- [Denise Diggs](https://studioactingconservatory.org/people/denise-diggs/): Denise Diggs has taught voice for over 30 years at the Baltimore School for the Arts. She also has taught at Towson University, Duke Ellington School of the Arts, and privately for media professionals. She has appeared at Arena Stage, Studio Theatre, Center Stage, Olney Theatre Center, La Jolla Playhouse in San Diego, Round House Theatre, Theatre of the First Amendment, and Everyman Theatre.
- [Kate Debelack](https://studioactingconservatory.org/people/kate-debelack/): Kate Debelack is an actor and director. She is the Associate Artistic Director of The Klunch and a company member of Arts on the Horizon. Acting credits include: The Shakespeare Theatre, Kennedy Center, The Studio Theatre, Taffety Punk, Forum Theatre, Solas Nua, Longacre Lea, MetroStage, Cherry Red, the New York International Fringe Festival, and Seattle’s 5th Avenue Theatre. Directing credits include Capital Fringe, Arts on the Horizon, and the One Minute Play Festival. Training: Western Washington University, the Cabaret Conference at Yale, Studio Acting Conservatory.
- [Mary C. Davis](https://studioactingconservatory.org/people/mary-c-davis/): Mary C. Davis has worked as a teaching artist for many local organizations including Shakespeare Theatre Company and Round House Theatre. Some of her favorite acting experiences include: Merchant of Venice and House and Garden, Trinity Repertory Company; Boeing Boeing, Greenbrier Valley Theatre; As You Like It, The Here &  Now; The Prime of Miss Jean Brodie, Studio Theatre; Our Town, National Players. Training: MFA in Acting, Brown University/Trinity Rep; Studio Acting Conservatory; BA in Theatre, The George Washington University.
- [Jacqueline Chenault](https://studioactingconservatory.org/people/jacqueline-chenault/): Jacqueline Chenault is a DC-area actor and performer. She has worked extensively in DC area theatres, including Studio Theatre, Folger Theatre, Folger Consort, Arts on the Horizon, Brave Spirits, the Baltimore Shakespeare Factory, 4615 Theatre Company, and numerous projects with the Capital Fringe Festival. She is a 4615 Theatre Company Member. Training: The George Washington University, Tooth & Claw Combat Arts, British American Dramatic Academy, Studio Acting Conservatory.
- [José Carrasquillo](https://studioactingconservatory.org/people/jose-carrasquillo/): José Carrasquillo is a DC based theatre practitioner and educator with 3 decades of experience.  He has been Producing Artistic Director at Freedom State in DC (1989-1996) and at The Group Theatre in Seattle (1996-2000).  He currently serves as Director of Artistic Programming at Ford’s Theatre. He has directed at most venues in our region including GALA Hispanic Theatre, The Kennedy Center, 1st Stage, Theater J, Round House Theatre, Olney Theatre, Studio Theatre, Signature Theatre, Avant-Bard, The In-Series, and Woolly Mammoth. Recent credits include: Happy Days, After the Fall, The Body of an American, Sotto Voce, El Paso Blue, Don Juan Tenorio, Nat Turner in Jerusalem and Rhinoceros. He has taught/lectured or directed at: Theatre Lab, UMD-College Park, Catholic University, Julliard School of Drama, National Conservatory of Dramatic Arts, Interlochen, University of Washington in Seattle, University of Ohio in Athens, Cornish College for the Arts, Paso Nuevo (GALA), Theater J, 1st Stage and Imagination Stage.  Jose is the recipient of a Mary Goldwater-Theatre Lobby Award for his direction of The Maids at Avant-Bard and a Helen Hayes Award for his direction of The Brothers Size at 1st Stage.  He is a member of the Latinx Theatre Commons Steering Committee and sits on the Advisory Board of Theatre Washington.
- [Zach Campion](https://studioactingconservatory.org/people/zach-campion/): Zach Campion is a certified Assistant Teacher of Fitzmaurice Voicework® and draws upon the Knight- Thompson Speechwork methodology for dialect and accent modification practice. Zach has coached voice and dialects locally for productions at Studio Theatre, Arena Stage, Signature Theatre, Ford’s Theatre, Olney Theatre Center, 1st Stage Tysons, Chesapeake Shakespeare Company, and UMBC. Training: BFA, Performance and Production, Texas State University-San Marcos; MFA, Voice and Speech Pedagogy, Virginia Commonwealth University.
- [Bacarri Byrd](https://studioactingconservatory.org/people/bacarri-byrd/): Bacarri Byrd is a passionate and dedicated museum professional. With a Bachelor of Arts degree from Coker College and a Master of Arts degree from the University of North Carolina at Charlotte, specializing in Communication studies at the intersections of culture, media, and rhetoric. During her tenure as a Curatorial Assistant at the Smithsonian’s National Museum of African American History and Culture, Bacarri played a vital role in the preservation and accurate interpretation of historical artifacts, ensuring their significance and stories were respectfully presented to visitors.
- [Silas Gordon Brigham](https://studioactingconservatory.org/people/silas-gordon-brigham/): Silas Gordon Brigham is a Voice, Presence and Second Circle Coach certified with Patsy Rodenburg. His coaching is rooted in social justice education, informed by his study of martial arts and meditation, and shaped by his own acting experience. Silas coaches actors both privately and in production. Most recently, he was the vocal coach and fight choreographer for First Maria Ensemble’s NYC production of Macbeth, as well as a cast member. Silas is also passionate about working with non-actors and has years of experience helping a range of students to uncover their most effective and authentic presence and voice. He has led group workshops designed specifically for young folks at numerous schools and summer programs in the DC-area, Philadelphia, Maryland and Virginia; most frequently working with students at the Paulo Freire Social Justice Charter School in Western Massachusetts. As an actor, Silas has appeared locally at Studio Theater, Mosaic Theater Company, and DC Fringe Festival. His film work includes the award-winning Ultrasonic and The Legacy Sessions—which he co-produced. Training: BA in Theater Studies from Guilford College; Studio Acting Conservatory; Patsy Rodenburg Master Teacher Certification Program.
- [Diana Bradley](https://studioactingconservatory.org/people/diana-bradley/): Diana Bradley has been a certified Alexander Technique teacher since 1979. Diana has taught in the DC area for over 38 years, including at Arena Stage, the University of Maryland and the Baltimore School for the Arts. Diana teaches around the U.S. and internationally. She is on the faculty at the Barstow Institute, a summer residential workshop and Chesapeake Bay Alexander teacher training program (CBAS) in North Carolina. She has been on the faculty of the Studio Conservatory since 2007. Her private practice is located in Takoma Park, MD.
- [Nancy Bannon](https://studioactingconservatory.org/people/nancy-bannon/): Nancy Bannon is a performer, writer, director and teacher. Recent acting work: Occupied Territories – Off Broadway and regional. As writer/director: five short films and in theater: Cornfield, Puncture, The Pod Project (all NYC) and as Movement Director: Romeo and Juliet (Broadway) and Murder Ballad and Pas de Deux (Studio Theatre). Recipient of 3 Princess Grace Awards and a Bessie Award (NYC). Former faculty member: SUNY Purchase, Rutgers University and master classes at The Juilliard School, NYU and various universities. Training: The Juilliard School
- [Carol Arthur ](https://studioactingconservatory.org/people/carol-arthur/): Carol Arthur joined the faculty in 2003 and has performed locally at Studio Theatre, The Shakespeare Theatre Company, Studio 2ndStage, The Source Theatre, Longacre Lea Productions, Adventure Theatre, Atlas Performing Arts Center and is a former member of Psychochuckles, a comedy improv group. She is a Wammie award nominated steel pan player in the DC area band Little Red & The Renegades. Training: Oberlin College, Studio Acting Conservatory.
- [Victoria Chung](https://studioactingconservatory.org/people/victoria-chung/): Victoria Chung is a professional orchestral musician and arts administrator. As a professional performer, Victoria has performed with professional orchestras along the east coast. These orchestras include Albany Symphony Orchestra, Pan American Symphony Orchestra, Arlington Philharmonic, Mid-Atlantic Symphony Orchestra,Lynchburg Symphony Orchestra, and others. Victoria has performed at the Kennedy Center, Lincoln Center, Warner Theater, Hylton Center for the Arts, Center For the Arts, Rialto Center for the Arts, and many others. Victoria is a graduate student of Northeastern University in the Arts Administration and Cultural Entrepreneurshipmasters program, and has her bachelor's degree from George Mason University in music performance (specialized in violin).
- [Joy Zinoman](https://studioactingconservatory.org/people/joy-zinoman/): Joy Zinoman is a master teacher and the founder of both Studio Theatre and the Studio Acting Conservatory. She has been teaching and directing for over 40 years in the US and abroad, and created the Conservatory’s core acting curriculum. Before retiring from Studio Theatre, she directed 70 productions and garnered over 225 Helen Hayes award nominations for the Theatre, and she received numerous awards including Outstanding Direction and Visionary Leadership in the Arts. Training: Northwestern University, Radcliffe College, American University.
- [Emily Morrison](https://studioactingconservatory.org/people/emily-morrison/): Emily Morrison is a professional actor and arts administrator. DC theatre credits include performanceswith 1st Stage; Unexpected Stage, American Century Theater and Scena Theater, and a WATCH awardfor Best Actress (Silver Spring Stage). Emily formerly held public relations and marketing roles with WAMU, In Series,Constellation Theatre and American Century Theatre. Emily is a graduate of the Studio ActingConservatory and also trained in Los Angeles with Actors’ Circle Theatre and A Noise Within. She serveson the board of Ex Pats Theatre and is a former Board President of the Actors Center.

## Semester Sections
- [Young Actors Program](https://studioactingconservatory.org/?semester_section=young-actors-program-5): Placement Auditions: February 20 by appointment
- [Workshops](https://studioactingconservatory.org/?semester_section=workshops-8)
- [Conservatory Classes](https://studioactingconservatory.org/?semester_section=conservatory-classes-8): Classes: February 1 - June 1 Final Scenes: May 21 - June 1
- [Young Actors Program](https://studioactingconservatory.org/?semester_section=young-actors-program-4): Placement auditions: September 12 by appointment.
- [Workshops](https://studioactingconservatory.org/?semester_section=workshops-7)
- [Conservatory Classes](https://studioactingconservatory.org/?semester_section=conservatory-classes-7): Classes: September 8 - January 24 Final Scenes: January 12 - 24
- [Workshops](https://studioactingconservatory.org/?semester_section=workshops-6)
- [Young Actors Program: Intensive 2](https://studioactingconservatory.org/?semester_section=young-actors-program-intensive-2-3)
- [Young Actors Program: Intensive 1](https://studioactingconservatory.org/?semester_section=young-actors-program-intensive-1-3)
- [Young Actors Program: Intensive 2](https://studioactingconservatory.org/?semester_section=young-actors-program-intensive-2-2): Placement Auditions are Jun 13 by appointment. To apply for a scholarship call (202) 232-0714.
- [Young Actors Program: Intensive 1](https://studioactingconservatory.org/?semester_section=young-actors-program-intensive-1-2): Placement Auditions are Jun 13 by appointment. To apply for a scholarship call (202) 232-0714.
- [Conservatory Classes](https://studioactingconservatory.org/?semester_section=conservatory-classes-6): Classes meet twice a week.
- [Workshops](https://studioactingconservatory.org/?semester_section=workshops-5)
- [Young Actors Program](https://studioactingconservatory.org/?semester_section=young-actors-ensemble): Placement Auditions February 21 by appointment
- [Conservatory Classes](https://studioactingconservatory.org/?semester_section=conservatory-classes-5): Classes meet once per week.
- [Workshops](https://studioactingconservatory.org/?semester_section=workshops-4)
- [Young Actors Program](https://studioactingconservatory.org/?semester_section=young-actors-program-3): Placement auditions will be Sept. 13 by appointment.
- [Conservatory Classes](https://studioactingconservatory.org/?semester_section=conservatory-classes-4): Classes meet once per week.
- [Workshops](https://studioactingconservatory.org/?semester_section=workshops-3)
- [Conservatory Classes](https://studioactingconservatory.org/?semester_section=conservatory-classes-3): Summer classes meet twice per week.
- [Conservatory Classes](https://studioactingconservatory.org/?semester_section=conservatory-classes-2): Classes meet once per week.
- [Young Actors Program](https://studioactingconservatory.org/?semester_section=young-actors-program-2): Placement Auditions are Feb 22 by appointment, before the first class.
- [Workshops](https://studioactingconservatory.org/?semester_section=workshops-2)
- [Workshops](https://studioactingconservatory.org/?semester_section=workshops): Workshops are each two days lorem ipsum dolor.
- [Young Actors Program](https://studioactingconservatory.org/?semester_section=young-actors-program): Placement Auditions are Sept 14 by appointment.
- [Conservatory Classes](https://studioactingconservatory.org/?semester_section=conservatory-classes): Classes meet once a week.

## Sessions
- [Spring 2027 YA](https://studioactingconservatory.org/sessions/spring-2027-ya/)
- [Fall 2026 YA](https://studioactingconservatory.org/sessions/fall-2026-ya/)
- [DIA Campion Spring 27](https://studioactingconservatory.org/sessions/dia-campion-spring-27/)
- [AT Bradley Spring 27](https://studioactingconservatory.org/sessions/at-bradley-spring-27/)
- [IMP Garner Spring 27](https://studioactingconservatory.org/sessions/imp-garner-spring-27/)
- [CVM Campion/Yglesias Spring 27](https://studioactingconservatory.org/sessions/cvm-campion-yglesias-spring-27/)
- [VO van den Berg Spring 27](https://studioactingconservatory.org/sessions/vo-van-den-berg-spring-27/)
- [VO Brigham Spring 27](https://studioactingconservatory.org/sessions/vo-brigham-spring-27/)
- [MV Riley (Th) Spring 27](https://studioactingconservatory.org/sessions/mv-riley-th-spring-27/)
- [MV Riley (Tu) Spring 27](https://studioactingconservatory.org/sessions/mv-riley-tu-spring-27/)
- [AUD Debelack Spring 27](https://studioactingconservatory.org/sessions/aud-debelack-spring-27/)
- [MT Hamlin Spring 27](https://studioactingconservatory.org/sessions/mt-hamlin-spring-27/)
- [SIC Nichols Spring 27](https://studioactingconservatory.org/sessions/sic-nichols-spring-27/)
- [CO Arthur Spring 27](https://studioactingconservatory.org/sessions/co-arthur-spring-27/)
- [GR Debelack Spring 27](https://studioactingconservatory.org/sessions/gr-debelack-spring-27/)
- [SH Seiden Spring 27](https://studioactingconservatory.org/sessions/sh-seiden-spring-27/)
- [SH Burke Pitt Spring 27](https://studioactingconservatory.org/sessions/sh-burke-pitt-spring-27/)
- [CE Arthur Spring 27](https://studioactingconservatory.org/sessions/ce-arthur-spring-27/)
- [CE Nichols Spring 27](https://studioactingconservatory.org/sessions/ce-nichols-spring-27/)
- [PR Wells (Th) Spring 27](https://studioactingconservatory.org/sessions/pr-wells-th-spring-27/)
- [PR Burke Pitt (W) Spring 27](https://studioactingconservatory.org/sessions/pr-burke-pitt-w-spring-27/)
- [PR Wells (Tu) Spring 27](https://studioactingconservatory.org/sessions/pr-wells-tu-spring-27/)
- [PR Burke Pitt (M)](https://studioactingconservatory.org/sessions/pr-burke-pitt-m/)
- [AP Garner Spring 27](https://studioactingconservatory.org/sessions/ap-garner-spring-27/)
- [AP Kammann Spring 27](https://studioactingconservatory.org/sessions/ap-kammann-spring-27/)
- [PR Arthur – Fall 26](https://studioactingconservatory.org/sessions/pr-arthur-fall-26/)
- [PR Burke Pitt – Fall 26](https://studioactingconservatory.org/sessions/pr-burke-pitt-fall-26/)
- [PR Davis – Fall 26](https://studioactingconservatory.org/sessions/pr-davis-fall-26/)
- [AP Kammann – Fall 26](https://studioactingconservatory.org/sessions/ap-kammann-fall-26/)
- [AP Bannon – Fall 26](https://studioactingconservatory.org/sessions/ap-bannon-fall-26/)
- [CVM Fall 26](https://studioactingconservatory.org/sessions/cvm-fall-26/)
- [VO Diggs – Fall 26](https://studioactingconservatory.org/sessions/vo-diggs-fall-26/)
- [VO Campion – Fall 26](https://studioactingconservatory.org/sessions/vo-campion-fall-26/)
- [MV Yglesias – Fall 26](https://studioactingconservatory.org/sessions/mv-yglesias-fall-26/)
- [MV Riley – Fall 26](https://studioactingconservatory.org/sessions/mv-riley-fall-26/)
- [DIR Wed Fall 2026](https://studioactingconservatory.org/sessions/dir-wed-fall-2026/)
- [DIR Tues Fall 26](https://studioactingconservatory.org/sessions/dir-tues-fall-26/)
- [CO – Fall 26](https://studioactingconservatory.org/sessions/co-fall-26/)
- [GR Fall 26](https://studioactingconservatory.org/sessions/gr-fall-26/)
- [SH 1 Fall 26](https://studioactingconservatory.org/sessions/sh-1-fall-26/)
- [CE Seiden – Fall 26](https://studioactingconservatory.org/sessions/ce-seiden-fall-26/)
- [CE Arthur – Fall 26](https://studioactingconservatory.org/sessions/ce-arthur-fall-26/)
- [PR Wells – Fall 26](https://studioactingconservatory.org/sessions/pr-wells-fall-26/)
- [AT – Fall 26](https://studioactingconservatory.org/sessions/at-fall-26/)
- [GRII Fall 26](https://studioactingconservatory.org/sessions/grii-fall-26/)
- [Cabaret Intensive – Summer 2026](https://studioactingconservatory.org/sessions/cabaret-intensive-summer-2026/)
- [Alexander Technique Intensive – Summer 2026](https://studioactingconservatory.org/sessions/alexander-technique-intensive-summer-2026/)
- [Young Actors Session 2 – Summer 2026](https://studioactingconservatory.org/sessions/young-actors-session-2-summer-2026/)
- [Young Actors Session 1 – Summer 2026](https://studioactingconservatory.org/sessions/young-actors-session-1-summer-2026/)
- [Improvisation for the Actor – T/Th Summer 26](https://studioactingconservatory.org/sessions/improvisation-for-the-actor-m-w-summer-26/)
- [Voice – M/W Summer 26](https://studioactingconservatory.org/sessions/voice-m-w-summer-26/)
- [Movement – T/Th Summer 26](https://studioactingconservatory.org/sessions/movement-t-th-summer-26/)
- [Auditioning – Summer 26](https://studioactingconservatory.org/sessions/auditioning-summer-26/)
- [Principles of Realism – T/Th Summer 26](https://studioactingconservatory.org/sessions/principles-of-realism-t-th-summer-26/)
- [Principles of Realism – M/W Summer 26](https://studioactingconservatory.org/sessions/principles-of-realism-m-w-summer-26/)
- [Actor’s Process – Summer 26](https://studioactingconservatory.org/sessions/actors-process-summer-26/)
- [Auditioning for Young Actors – Fall 2025](https://studioactingconservatory.org/sessions/auditioning-for-young-actors-fall-2025/)
- [Intro to Acting Workshop – Spring 2026](https://studioactingconservatory.org/sessions/intro-to-acting-workshop-spring-2026/)
- [Physical Theatre Workshop – Spring 2026](https://studioactingconservatory.org/sessions/physical-theatre-workshop-spring-2026/)
- [Script Analysis Workship Spring 2026](https://studioactingconservatory.org/sessions/script-analysis-workship-spring-2026/)
- [Stage Combat Workshop – Spring 2026](https://studioactingconservatory.org/sessions/stage-combat-workshop-spring-2026/)
- [Fall 2025 Casting Roundtable](https://studioactingconservatory.org/sessions/fall-2025-casting-roundtable/)
- [Fall 2025 Dialects Workshop](https://studioactingconservatory.org/sessions/fall-2025-dialects-workshop/)
- [Spring 2026 Young Actors Ensemble](https://studioactingconservatory.org/sessions/spring-2026-young-actors-ensemble/)
- [Summer 2025 Cabaret Intensive](https://studioactingconservatory.org/sessions/summer-2025-cabaret-intensive/)
- [Summer 2025 Alexander Technique Intensive](https://studioactingconservatory.org/sessions/summer-2025-alexander-technique-intensive/)
- [Spring 2026 Dialects](https://studioactingconservatory.org/sessions/spring-2026-dialects/)
- [Spring 2026 Improvisation for the Actor](https://studioactingconservatory.org/sessions/spring-2026-improvisation-for-the-actor/)
- [Spring 2026 Classical Voice & Movement](https://studioactingconservatory.org/sessions/spring-2026-classical-voice-movement/)
- [Spring 2026 Voice – Tuesday](https://studioactingconservatory.org/sessions/spring-2026-voice-tuesday/)
- [Spring 2026 Voice –  Monday](https://studioactingconservatory.org/sessions/spring-2026-voice-monday/)
- [Spring 2026 Movement – Wednesday](https://studioactingconservatory.org/sessions/spring-2026-movement-wednesday/)
- [Spring 2026 Movement – Tuesday](https://studioactingconservatory.org/sessions/spring-2026-movement-tuesday/)
- [Spring 2026 Auditioning](https://studioactingconservatory.org/sessions/spring-2026-auditioning/)
- [Spring 2026 Contemporary American Realists](https://studioactingconservatory.org/sessions/spring-2026-contemporary-american-realists/)
- [Spring 2026 Comedy](https://studioactingconservatory.org/sessions/spring-2026-comedy/)
- [Spring 2026 Greek Tragedy](https://studioactingconservatory.org/sessions/spring-2026-greek-tragedy/)
- [Spring 2026 Shakespeare I](https://studioactingconservatory.org/sessions/spring-2026-shakespeare-i/)
- [Spring 2026 Character & Emotion – Tuesday](https://studioactingconservatory.org/sessions/spring-2026-character-emotion-tuesday/)
- [Spring 2026 Character & Emotion](https://studioactingconservatory.org/sessions/spring-2026-character-emotion/)
- [Spring 2026 Principles of Realism – Thursday](https://studioactingconservatory.org/sessions/spring-2026-principles-of-realism-thursday/)
- [Spring 2026 Principles of Realism – Wednesday](https://studioactingconservatory.org/sessions/spring-2026-principles-of-realism-wednesday/)
- [](https://studioactingconservatory.org/sessions/1687/)
- [Spring 2026 Actor’s Process – Wednesday](https://studioactingconservatory.org/sessions/spring-2026-actors-process-wednesday/)
- [Spring 2026 Actor’s Process – Monday](https://studioactingconservatory.org/sessions/spring-2026-actors-process-monday/)
- [Fall 2025 Young Actors Ensemble](https://studioactingconservatory.org/sessions/fall-2025-young-actors-ensemble/)
- [Fall 2025 Standard Stage Speech](https://studioactingconservatory.org/sessions/fall-2025-standard-stage-speech/)
- [Fall 2025 Alexander Technique](https://studioactingconservatory.org/sessions/fall-2025-alexander-technique/)
- [Fall 2025 Classical Voice & Movement](https://studioactingconservatory.org/sessions/fall-2025-classical-voice-movement/)
- [Fall 2025 Voice – Thursday](https://studioactingconservatory.org/sessions/fall-2025-voice-thursday/)
- [Fall 2025 Voice – Monday](https://studioactingconservatory.org/sessions/fall-2025-voice-monday/)
- [Fall 2025 Movement – Wednesday](https://studioactingconservatory.org/sessions/fall-2025-movement-wednesday/)
- [Fall 2025 Movement – Monday](https://studioactingconservatory.org/sessions/fall-2025-movement-monday/)
- [Fall 2025 Shaw, Ibsen, Chekov – Thursday](https://studioactingconservatory.org/sessions/fall-2025-shaw-ibsen-chekov-thursday/)
- [Fall 2025 O’Neill, Williams, Miller – Tuesday](https://studioactingconservatory.org/sessions/fall-2025-shaw-ibsen-chekov/)
- [Fall 2025 O’Neill, Williams, Miller](https://studioactingconservatory.org/sessions/fall-2025-oneill-williams-miller/)
- [Fall 2025 Musical Theatre](https://studioactingconservatory.org/sessions/fall-2025-musical-theatre/)
- [Fall 2025 Greek Tragedy](https://studioactingconservatory.org/sessions/fall-2025-greek-tragedy/)
- [Fall 2025 Shakespeare 1](https://studioactingconservatory.org/sessions/fall-2025-shakespeare-1/)
- [Fall 2025 Character & Emotion – Thursday](https://studioactingconservatory.org/sessions/fall-2025-character-emotion-thursday/)

## Classes
- [Greek II / Shakespeare II (Classical Scene Study)](https://studioactingconservatory.org/classes/greek-ii-shakespeare-ii-classical-scene-study/): An advanced scene study class in classical style from Greeks to the Renaissance. Class work focuses on characterization and poetry.
- [Auditioning for Young Actors](https://studioactingconservatory.org/classes/auditioning-for-young-actors/): This fun and practical workshop for young actors (ages 12-17) is designed to take the mystery out of the audition process. Students learn what really happens in an audition, discover helpful tools to always feel prepared, and explore what makes a good audition piece when choosing material. This workshop also features an hour of work specifically on Musical Theatre auditions, including how to choose the right song and rehearsal resources. 
- [Intro to Acting](https://studioactingconservatory.org/classes/intro-to-acting/): An introduction to acting for beginners modeled on our Actors Process class. Includes body, voice and acting exercises in a two day workshop.
- [Physical Theatre](https://studioactingconservatory.org/classes/physical-theatre/): Explore the power of storytelling beyond words in this engaging physical theatre workshop! Through movement-based exercises, you’ll discover how non-verbal communication can create meaning, build connections, and bring characters to life. During this two-day workshop, students will dive into the basics of physical storytelling and body awareness, learn how choreography and staging can shape a scene, develop characters through movement and gesture, and practice techniques through playful theatre games and creative partnering exercises
- [Script Analysis](https://studioactingconservatory.org/classes/script-analysis/): This workshop trains actors in the art of reading and analyzing dramatic texts as blueprints for performance. Students will learn methods to uncover character objectives, justify action through text-based evidence, and interpret structure, conflict, and theme. Emphasizing a chronological and character-driven approach, the course cultivates critical inquiry, emotional restraint during analysis, and disciplined imaginative engagement. Rooted in classical and contemporary methodologies, this foundational class equips actors to make informed, playable choices that illuminate the playwright's intention and bring clarity and depth to their performances.
- [Casting Roundtable](https://studioactingconservatory.org/classes/casting-roundtable/): Join area casting directors for a lively workshop and discussion on auditioning for and working in theatre in the DC area. Local theatre casting directors will provide feedback on monologues and conduct a Q&A about the DC business. Randy Snight of Imagination Stage, PG Shakes & Maryland Renaissance Festival will be joined by Irene Martinko from Olney Theatre, and others.
- [Dialects Workshop](https://studioactingconservatory.org/classes/dialects-workshop/): This weekend dialect intensive will introduce participants to foundational phonetic tools and discover a process for developing performance in dialect. Participants will learn the basics of the International Phonetic Alphabet (IPA) as a tool for precise speech pattern analysis and reproduction. Students will learn a speech warmup before doing a deep-dive into two distinct British English dialects: Received Pronunciation (RP) and Cockney, examining their unique phonetic features, rhythm, and intonation. The session culminates in an opportunity for attendees to perform prepared material, applying their new phonetic understanding, and receive constructive feedback in a supportive environment.
- [Alexander Technique Intensive](https://studioactingconservatory.org/classes/alexander-technique-intensive/): This intensive taught by SAC Faculty member and certified Alexander Technique teacher Diana Bradley is held over two weekends. Alexander technique can help actors learn to become more creative, spontaneous, and expressive on stage and off. Students in this intensive workshop will focus on recognizing and relinquishing unwanted patterns of thought, movement, and behavior.
- [Auditioning for Television and Film](https://studioactingconservatory.org/classes/auditioning-for-television-and-film/): This two-day workshop replicates the "real world" television audition process. Students dig deep into preparing for Co-Star, Guest Star, and Series Regular auditions. A camera and playback screen is used so that the class can watch their fellow actors work live. Students also learn about the mindset to have on the business of acting to help book roles and gain representation.
- [Auditioning for Theatre: Monologues & Sides](https://studioactingconservatory.org/classes/auditioning-for-theatre-monologues-sides/): As home to over 80 theatre companies, big and small, the Washington, DC area is a destination for actors, directors, and theatre artists. This two-day workshop offers practical tools for preparing audition monologues and sides. Students perform monologues and receive feedback, and work on sides from contemporary plays.
- [Cabaret Intensive](https://studioactingconservatory.org/classes/cabaret-intensive/): This two weekend workshop allows student to explore the art form of Cabaret.
- [Comedy](https://studioactingconservatory.org/classes/comedy/): Comedy is an advanced class focusing on comic vocal and physical technique and style. Students explore comedy through exercises, clowning, and scene work in four periods: Modern Comedy, Comedy of Wit and Manners, Shakespeare and Molière, and Commedia dell'arte.
- [Directing](https://studioactingconservatory.org/classes/directing/): Directing is intended to enhance the skills and understanding of actors, directors, playwrights, and filmmakers. Through a series of lectures and scene presentations, the class focuses on script analysis and preparation, blocking and movement, business, uses of improvisation and working with actors, rhythm and tempo, theatrical organization, auditioning, and the integration of all aspects of technical theatre.
- [Beckett, Pinter, Albee, Mamet](https://studioactingconservatory.org/classes/beckett-pinter-albee-mamet/): This is a class focusing on the development of the great Modernists: Beckett from Ireland, Pinter from England, Albee and Mamet in America. Students are challenged by interpreting scenes from these often controversial playwrights, beginning with experiments in the work of Caryl Churchill. The class includes both lectures and scene work.
- [Contemporary American Realists](https://studioactingconservatory.org/classes/contemporary-american-realists/): This is an advanced scene study class exploring contemporary American identity. Students participate in lectures and scene work exploring Naturalist, Poetic, and Fabulist dramatists, stretching the actor's vocabulary in Realism.
- [Contemporary Irish Playwrights](https://studioactingconservatory.org/classes/contemporary-irish-playwrights/): Contemporary Irish Playwrights is an advanced scene study class focused on leaders in contemporary Irish playwriting. This course allows students to explore the unique styles and language that appear in Irish theatre, focusing on themes of immigration, colonization, poverty, and feminism.
- [Great Living Brits](https://studioactingconservatory.org/classes/great-living-brits/): From Caryl Churchill, Allen Bennett, and Tom Stoppard, American actors have been influenced by the language and thematic challenges of contemporary British writing. Requiring complex interpretation and advanced language skills, actors explore these living legends though the lectures and scene work.
- [O’Neill, Williams, Miller](https://studioactingconservatory.org/classes/oneill-williams-miller/): O'Neill, Williams, Miller is an advanced scene study class exploring the works of America's Master playwrights whointroduced the country to Realism. Students will work on scenes from some of the finest plays of the Twentieth century - American classics such as Long Day's Journey Into Night, A Streetcar Named Desire, and Death of a Salesman, as well as look at the works of Odets and Inge.
- [Shaw, Ibsen, Chekhov](https://studioactingconservatory.org/classes/shaw-ibsen-chekhov/): Shaw, Ibsen, Chekhov is an in-depth scene study class focusing on the origins of realistic acting. Influenced by the wave following Stanislavsky's experiments, this class examines Shaw in England, Ibsen in Scandinavia, and Chekhov in Stanislavsky's Russia which ushers in the dominant acting style of the 20th Century. Each student explores the playwrights through lectures and scene work.
- [Auditioning](https://studioactingconservatory.org/classes/auditioning/): Auditioning teaches students the nuts and bolts of how to audition for professional work. Work on audition monologues - both contemporary and classical, each in comic and serious modes - to build a repertoire of audition material with attention to individual selection and professional presentation. Students gain the skills to prepare sides, develop cold-reading skills, and review the basics of self-taping for auditions. The class also includes development of headshots and resumes, as well as a working knowledge of the business side of acting.
- [Working With New Scripts](https://studioactingconservatory.org/classes/working-with-new-scripts/): This class puts directors, playwrights, and actors in the same room. The class focuses on rapid memorization, adapting to changes, reinterpreting, and responding to changing directorial needs.
- [Young Actors Intensive](https://studioactingconservatory.org/classes/young-actors-intensive/): Three-week Summer Intensives pair activities and skill-building exercises in realistic and classical acting with voice and body classes. Each day students explore movement, voice, and musical theatre, followed by a two and a half hour intensive acting class. Students apply their skills to monologues, scenes, songs, and ensemble pieces. Each session finishes with a presentation of their work for friends and family.
- [Comedy Improv](https://studioactingconservatory.org/classes/comedy-improv/): Designed specifically for actors of all levels, this dynamic workshop immerses students in the art of improvisation, helping them hone acting skills and unlock potential. Through a series of engaging exercises, games, and scene work, students learn to trust their instincts, embrace uncertainty, and develop comedic timing. Students work on building strong characters on the spot, thinking on their feet, and crafting compelling narratives without a script.
- [Producing for the Actor](https://studioactingconservatory.org/classes/producing-for-the-actor/): This two-day, in person workshop gives students the skills needed to produce their own theatrical work, from pre-production through opening. Students learn about the collaborative work of producing a show, and explore various types of producing, ways to raise funds, and insider tips on navigating the process.
- [Actor’s Process](https://studioactingconservatory.org/classes/actors-process/): Actor's process allows students with minimal or no prior training and experience to build a strong foundation in acting to be built upon as they move through the curriculum. Students develop and sharpen self-awareness, observation, creative imagination, improvisational skills, and the use of the body and voice. Each student works on an individual monologue.
- [Principles of Realism](https://studioactingconservatory.org/classes/principles-of-realism/): Principles of Realism helps students develop a process and approach to text using stimulus-response, motivation, characterization, interplay, and subtext. The class uses creative exercises such as pantomime and improvisation to introduce concepts which are applied later in the class to scene work on a character from a realistic play.
- [Character and Emotion](https://studioactingconservatory.org/classes/character-and-emotion/): Character and Emotion builds on the work of Principles of Realism, deepening students' skills in Realism. Students in this class will develop a character out of their range, focus on character building, and work on heightened emotional content.
- [Shakespeare for Young Actors](https://studioactingconservatory.org/classes/shakespeare-for-young-actors/): Shakespeare for Young Actors is a class for advanced young students, aged 12-17. In addition to weekly work on creative exercises such as pantomimes and improvisations, students work on Shakespearean monologues and scenes utilizing modern Play On Shakespeare text.
- [Movement 1](https://studioactingconservatory.org/classes/movement-1/): Movement teaches students to identify, relax, and warm up parts of the body that hold tension. Students will work to develop free movement and expressiveness. This class introduces tools to work on specific posture, gesture, and movement, allowing students to expand their physical potential.
- [Shakespeare I](https://studioactingconservatory.org/classes/shakespeare-1/): Shakespeare I introduces classical acting techniques, focusing on vocal development and specificity, diction, physical clarity, textual interpretation, as well as the use of imagery and tone color, useful for all actors. Students work on a character from Shakespeare in monologues, soliloquys, and scenes.
- [Voice 1](https://studioactingconservatory.org/classes/voice-1/): Voice 1 provides basic techniques for vocal preparation and performance. Students develop their projection, vocal quality, range, energy, and expressiveness as well as understanding of vocal production using relaxation exercises and basic physical work.
- [Greek Tragedy](https://studioactingconservatory.org/classes/greek-tragedy/): Greek Tragedy explores the works of Aeschylus, Sophocles, and Euripides, with work on choruses, solo pieces, and scenes. Students deepen emotional connection and develop oral interpretation and physical control while building ensemble skills.
- [Classical Voice and Movement](https://studioactingconservatory.org/classes/classical-voice-and-movement/): Classical Voice & Movement expands on the work done in Voice 1 and Movement 1 and introduces the vocal and physical skills necessary for classical work. Students develop clarity in classical material and learn to ground themselves and strip away physically as needed in classical performance. Skills covered in this course are essential to success in Shakespeare I.
- [Alexander Technique](https://studioactingconservatory.org/classes/alexander-technique/): Alexander Technique identifies and replaces unwanted habits with greater body awareness, poise, and ease of movement. It allows students to move with more variety, ease, energy, balance, support, and coordination as well as improve their use of breath and vocal production. Students discover more efficient ways to use their bodies through discussion, observation, and hands-on work to become more creative, spontaneous, and expressive.
- [Improvisation for the Actor](https://studioactingconservatory.org/classes/improvisation-for-the-actor/): Through a series of playful exercises students expand their range of expression physically, vocally, and emotionally. This class helps the actor discover and trust their inner creative impulses, encourages honesty, spontaneity, and awareness. Actors practice interplay and build and ensemble by engaging with other actors.
- [Dialects](https://studioactingconservatory.org/classes/dialects/): Dialects introduces actors to the fundamentals of performing in accents or dialects. Students build their listening and imitation skills, learn warm up processes, and how to utilitize online dialect resources, as well as the International Phonetic Alphabet. This class includes work on up to four dialects for the stage.
- [Standard Stage Speech](https://studioactingconservatory.org/classes/standard-stage-speech/): Standard Stage Speech is designed to provide tools and strategies for speakers with regional or foreign accents who want to increase intelligibility and broaden their range as actors. Students learn basic and advanced tools for accent modification and dialect acquisition, including: articulation warm-ups, speech anatomy, and the International Phonetic Alphabet. These tools are applied to text using the General American Dialect.
- [Stage Combat Workshop](https://studioactingconservatory.org/classes/stage-combat/): Expand your skills and learn the fundamentals of stage combat with DC's preeminent fight choreographer Robb Hunter. Enhance your physical skill and confidence with safe and realistic techniques to portray the illusion of fighting.
- [Singer’s Process](https://studioactingconservatory.org/classes/singers-process/): Singer's Process introduces students to the basics of singing. Students work on freeing the body, expanding breath capacity and the ability to create sound, learning to sing on pitch, and exploring and understanding lyrics, rhythm, and emotion in a song, and singing with a piano. Students prepare a song with piano accompaniment.
- [Young Actors Ensemble](https://studioactingconservatory.org/classes/young-actors-ensemble/): The Young Actors Ensemble is modeled after our adult curriculum and meets weekly, on Saturdays during the Fall and Spring semesters. Classes include theatre games, pantomimes, improvisations, and ensemble work to allow students to build and explore skills necessary for realistic playing . Students prepare monologues and scenes from contemporary and classical literature. Each semester culminates in a public showing of their work.
- [Shakespeare II](https://studioactingconservatory.org/classes/shakespeare-2/): Shakespeare II is an advanced course which deepens students' understanding and experience in classical style. The class includes rigorous work in the preparation of monologues and scenes. Special emphasis is on the interpretation of text and vocal intensity.
- [Musical Theatre](https://studioactingconservatory.org/classes/musical-theatre/): Musical Theatre enhances students' ability to create unique song interpretations, find a character's arc throughout a song, and explore realistic performance techniques to create bold and vibrant characters. Students will find their true singing voice, reduce singing anxiety, and combine singing and acting skills, as well as learning how to choose and prepare repertoire. Musical Theatre is intended for singers with some experience.